A critical analysis of M E Ngcobo’s sociological radio plays

Abstract

This study gives the critical analysis of Ngcobo’s sociological radio plays. The written plays are examined. The work is arranged as follows: Chapter one is the general introduction of the study. It paves the way the study will be conducted which includes among other things; hypothesis, aim of study, scope of study, definition of concepts, research methodology, theoretical approaches to the study, the characteristic nature of radio drama, an influence of traditional drama and the synopsis of all serial radio plays. Chapter two explores the various theoretical approaches that are applicable in such the study of radio plays; inter alia; sociological, structuralism, reader, moral – philosophical, reception, intention, historical – biographical, semiotics and New Criticism approaches. Chapter three looks at the understanding structure of the radio plays where amongst other things explores the aspects of society that radio play addresses. It gives comparisons of social aspects, social disorder / revolt and looks at how Ngcobo addresses such social revolts in order to bring about social restoration. Chapter four focuses on the comparisons of the radio plays with regard to style, temporal which includes time and space. It further focuses characters / actors and narration. Chapter five looks at the linguistic appropriateness of the radio plays. It seeks to ascertain Ngcobo’s language how it suits his characters, situation, addresses the questions and answers’ relationships as they crop up in the plays. Monologue as an integral part of psychological process describes a mode of mental processes which include sadness, elation and desolation as felt by characters. It assesses Ngcobo’s usage of dialogue and also looks at other factors such as mood, place, sound effects, music and sound effectiveness as important components that heighten the development of the play to the horizons for its effectiveness. Chapter six deals with meaning and interpretation of the radio plays whereby it deals with the intention, significance, emerging factors that arise further enhance the development of the plays. Apparent and challenges that the playwright poses on his plays are also highlighted. Chapter seven is the concluding chapter. This looks at the thesis in its final analysis which gives the summary, findings and observations. It examines the challenges and contributions of the study with a critical overview and conclusions. Lastly it suggests some future research on the study of serial radio drama by showing the important elements as discovered in this study.